To listen to the full interview with David Micklem, click here.
“Lebanese-British artist Tania El Khoury and I met when the Fusebox Festival curatorial team, of which I was a member, invited her to present her performance piece As Far As My Fingertips Take Me in 2018. The US was, and still is, engaged in an intense debate over the proposed building of an enormous wall—meant to keep immigrants out—along our Southern border.” To read the full interview with Anna Gallagher-Ross, click here.
Queer sound artist, musician and music curator Zosia Hołubowska shares their thoughts about Tania El Khourys “Gardens Speak” in a new edition of “Letters for later”. To read the full article, click here.
20 x 20: Artists reflect on 20 years of Live Art, Resonance radio series by Live Art Development Agency
كتابة ابتسام عازم في العربي الجديد. المزيد
DRAFF publishes writing, imagery, and other material relating to the process of making performance, a living archive of developments in form. All material in DRAFF is contributed by artists working in theatre, dance and visual art. They regularly send their intrepid filmmaker José (also a DRAFF founder and theatre maker) to visit artists in their home city, to get inside the studio and their homes and record what they’re up to. They interviewed Live Artist Tania El Khoury as she was on residency in New York City.
As part of the Contemporary Art Center’s This Time Tomorrow performing arts festival, two of City Beat’s writers experienced Tania El Khoury’s “As Far As My Fingertips Take Me.” To read the full review they wrote, click here.
Published in: In Terms of Performance. Keep reading…
Published in: In Terms of Performance. Keep reading…
The London-based, live artist Tania El Khoury has devised a brilliant means of connecting a worldwide audience to a true refugee story, one audience member at a time. To read the full article by André Hereford, click here.